CHALLENGES IN DOCUMENTING THE LEGACY OF YAKṢAGĀNA ARTIST V.M. JOSHI
This paper examines the life and artistic contributions of Sri Vighneshwar Mahabaleshwar Joshi (1916–1983), widely known as "Actor Joshi," a prominent figure in the traditional Indian theater form, YAKṢAGĀNA. With a career spanning thirty-five years, Joshi's early immersion in Vedic studies and interactions with scholars in Gōkarṇa significantly influenced his development as a distinguished VāgmÄ« (orator) in Yaká¹£agāna performances. Beginning his theatrical journey at the age of 11 with the Ishashraya Nataka Company, he later collaborated with esteemed drama troupes, including Garuda Sadāshivaraya Nātaka Company, Gubbi Veeranna, Shastri Company, and the Sāhitya Sevaka Sangha of Gōkarṇa. Under the mentorship of renowned artists such as Moodkani Narayana Hegde, Murur Devaru Hegde, and Keremane Shivaram Hegde, Joshi mastered the fundamentals of Yaká¹£agāna, particularly the Baḍā Baḍagu style, emphasizing adherence to śāstrÄ«yate (classical rigor). His unique approach to dance, characterized by original choreography and personalized makeup for each character, set him apart in both strÄ« vēśa (female roles) and puruá¹£a vēśa (male roles). Joshi's performances were marked by a clear distinction between Mātu (dialogues) and Naá¹­ane (acting), achieving remarkable coordination between ná¹›tta (pure dance) and bhāva (expression). Throughout his career, he portrayed approximately 28 vēśa-s (roles) across various melÌ¥a-s (troupes) and established his own troupe, the Sri BhadrakālÌ¥i KrÌ¥pāpoá¹£ita Yaká¹£agāṇa Maṇḍali in Gōkarṇa. Despite his significant contributions, there is a notable lack of documentation, posing challenges to preserving and studying his legacy. This paper aims to explore Joshi's artistic innovations, character portrayals, and the obstacles faced in chronicling his impact on Yaká¹£agāna.
Author: Ms. Pallavi G Gayatri Submitted on : 16-Sep-2025 Arts : /Theater/Yakshagana
Journal ID : 5862-773-5360
Views: 54/ Downloads :0
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