Comprehension of Hasta Mudras: Exploring the Application of Abhinaya Hasta Mudras in Mohiniattam Choreography
Mudras, the codified hand gestures intrinsic to Indian classical dance, serve as powerful tools for expression, narrative, and symbolism. In the context of Mohiniattam, the classical dance form of Kerala known for its graceful movements and emotive storytelling, Abhinaya Hasta Mudras hold a particularly vital place. This paper explores the application and significance of these mudras in Mohiniattam choreography, emphasizing their role in conveying Bhava (emotion) and enhancing Abhinaya (dramatic expression). Rooted in ancient treatises such as Bharata’s Nāṭyaśāstra and the Hastha Lakshana Deepika, these gestures have been adapted over centuries to suit the lyrical and emotive ethos of Mohiniattam, evolving into an expressive vocabulary that bridges tradition and innovation. The study undertakes a comprehensive examination of selected mudras through both textual analysis and practical application. It investigates how these gestures contribute to the evocation of Rasa (aesthetic sentiment), define character identities, and support thematic and narrative structures within solo and group choreographies. Employing methodologies such as observation, interviews with seasoned performers and gurus, and critical analysis of choreographic compositions, the research contextualizes the use of hasta mudras in both traditional repertoires and contemporary adaptations. Key findings reveal the fluidity and adaptability of mudras in Mohiniattam. While certain gestures remain close to classical prescriptions, others have undergone subtle transformations to align with changing aesthetics and performance contexts. The study highlights how Angikabhinaya—expression through body movements, including the hands—operates in synchrony with facial expressions (Mukhabhinaya), torso sways (Torso Abhinaya), and rhythmic footwork to create a nuanced and layered narrative experience. Additionally, it uncovers regional and stylistic variations in mudra usage and presentation, reflecting the diversity within the tradition itself. This research affirms that hasta mudras are not static symbols but dynamic components of Mohiniattam’s expressive core. Their continued relevance is evident in the way contemporary practitioners incorporate them to articulate new themes while preserving the form's cultural authenticity. By tracing the lineage, transformation, and function of Abhinaya Hastas, this study contributes to a deeper understanding of Mohiniattam’s aesthetic richness and the enduring power of gesture in classical Indian dance. It invites further exploration into under-researched mudras and supports the revitalization of forgotten gestures, enriching the pedagogical and performative dimensions of the art form.
Author: Prof. Vrinda Sadasivan Submitted on : 16-Sep-2025 Arts : /Classical Dance/MOHINIATTAM
Journal ID : 5606-238-1753
Views: 62/ Downloads :0
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