| Rhythmic patterns and musicality in the Bharatanatyam choreographic works of Adyar K Lakshmanan |
| Adyar K. Lakshmanan remains a pivotal figure in Bharatanatyam, celebrated for his inventive choreography deeply rooted in musicality and expressive depth. His profound dedication to the classical dance idiom and his extensive repertoire of choreographic masterpieces have consistently resonated with audiences and stood the test of time. This research endeavors to dissect and evaluate the rhythmic frameworks, compositional strategies, and inherent musicality present within Lakshmanan Sir's choreographic creations, aiming to elucidate the core principles that define his enduring artistic impact. The study undertakes a thorough examination of diverse segments within the traditional Margam structure, encompassing introductory pieces, abstract dance forms (Jathiswarams), narrative-driven compositions (Varnams), and concluding pure dance sequences (Thillanas). Through the analysis of specific works such as Nandi Chol, Mallari, Stuti Pancharathnam, Jathiswarams set in Abhogi and Hemavati ragas, Varnams exemplified by "Nee indha maayam" and "Enthanine thelupudura," alongside his approach to Thillanas, this investigation seeks to uncover the fundamental tenets that informed his creative methodology. Within his Varnam choreographies, a deep-seated reverence for the composer's original intentions was consistently observed, with movement vocabulary meticulously aligning with the musical rhythm. Furthermore, his resourceful employment of varied rhythmic flourishes within Varnams introduced elements of surprise and complexity. A notable technique in his Varnam presentations involved the continuous vocalization of lyrical lines during the narrative elaborations (Sancharis), ensuring temporal and musical cohesion. His discerning application of contrasting movement patterns in Varnam rhythmic passages, informed by the musical register and meter, further highlights his acute sensitivity to musical nuance. Finally, his Thillanas consistently incorporated the five fundamental rhythmic patterns (Pancha Nadais), integrated within the rhythmic frameworks (Korvais) or connecting dance units (Usi-adavus), imbuing his concluding pieces with a distinctive rhythmic identity. This research underscores Lakshmanan Sir’s profound skill in seamlessly fusing rhythmic intricacy with melodic beauty, offering valuable insights for emerging choreographers and enriching the understanding of his significant contributions to the art of Bharatanatyam. |
| Author: Dr Sahana selvaganesh
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Submitted on : 16-Sep-2025
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Arts : /Classical Dance/Bharathanatyam |
| Journal ID : 2436-180-2349
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